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© 2006 HarperCollins. Heather McElhatton
Publishing rights © Heather Elaine McElhatton
Pretty Little Mistakes, Million little Mistakes, Pretty Little Murder,
characters, names and related indincia are trademarks © Harpercollins Inc.
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Heather McElhatton: Pretty Little Mistakes
[Harper Collins]

Writer: Charles McNair
Issue 31

McElhatton is hot. This “interactive hyperfiction,” as the
publisher interactively hypes her first novel, launches with a
marketing campaign lauding “the first interactive novel for
adults.” Astonishingly branded as a summer-reading book,
PLM offers readers optional prose paths that might just take
all summer to explore—at the end of chapters, the reader
chooses between alternate plot lines that lead to 150 possible
endings.

If you’re the kind of reader who likes, more or less, a story
told in a straight line, with familiar rising action, characters
who grow together, and if you need a certain stability in
fictional time, you’ll quickly choose one option: early
bedtime.

Others, with a taste for control, will enjoy PLM—this book
is a labyrinth, well-written enough to entertain on a beach
blanket, though less compelling to demanding readers than
other similarly experimental books. (See Hopscotch in this
month’s Dusted Off column.)

The most fascinating experiment here may be whether PLM’
s marketing of interactive hyperfiction actually captures
summer readers.

If yes, go to the bank.

If no, Pretty Little Mistakes will be a title of some irony.